PatrisS, from the Real to the Unreal
"Mix of Photography, Image Manipulation, and Digital Painting, my artworks are real personal creations, made without the help of Generative AI."
PatrisS
French Artist and Graphic designer - Copenhagen, Denmark
As a Graphic Designer, who also studied History of Art, PatrisS has always been interested in Visual Arts.
PatrisS is exploring the boundaries of Image Manipulation, his artworks enjoy distortion, abstraction and bright colors.
His singular vision, a blend of mysteriousness and joyfulness, is bringing a fresh touch to Digital Painting.
"There is a real Artistic Approach behind my work. To my mind, Digital painting can be something else than cartoon or manga style illustrations and Digital Art is an Art Form in its own right. It is a reductive vision to think it is only meant to serve as a screen background display. Digital Art deserves a physical medium."
More about PatrisS' work in the section below.
French Artist and Graphic designer - Copenhagen, Denmark
As a Graphic Designer, who also studied History of Art, PatrisS has always been interested in Visual Arts.
PatrisS is exploring the boundaries of Image Manipulation, his artworks enjoy distortion, abstraction and bright colors.
His singular vision, a blend of mysteriousness and joyfulness, is bringing a fresh touch to Digital Painting.
"There is a real Artistic Approach behind my work. To my mind, Digital painting can be something else than cartoon or manga style illustrations and Digital Art is an Art Form in its own right. It is a reductive vision to think it is only meant to serve as a screen background display. Digital Art deserves a physical medium."
More about PatrisS' work in the section below.
"I like deformation, distortion and movement, mixing symmetry and asymmetry, in order to create some deconstructed visual effects which are actually calculated."
Most of the times, I work from a photograph. Sometimes, I create an image from scratch.
I take a photo of some details that attract me, then, with the help of graphics editors, I let my reverie dive into the matter to modify it.
According to my inspiration, flowers, objects or landscapes therefore become a unique mixture of shapes and colors.
From the Real to the Unreal...
The photograph I start from is in fact the raw material that serves as a support to my creation.
From then on, by associating techniques such as image editing and digital painting, I remodel it, to slide from the real to the unreal...Abstract over Figurative...
Abstraction, as well the frontier between abstract and figurative, are my favourite playgrounds.
Abstract Art is pure creativity, unconstrained by realism.
Composing with shapes, colors and rhythm speaks the universal language of emotional freedom and invites to personal interpretation.Landscape over Portrait...
I have always preferred to work on horizontal "canvas" as they fit with a certain photographic approach.
Likewise, I favour landscape and square format because they align with the panoramic nature of human vision.
Additionally, fewer choices are offered in these formats, given the current predominance of vertical posters and artworks.
Most of the times, I work from a photograph. Sometimes, I create an image from scratch.
I take a photo of some details that attract me, then, with the help of graphics editors, I let my reverie dive into the matter to modify it.
According to my inspiration, flowers, objects or landscapes therefore become a unique mixture of shapes and colors.
From the Real to the Unreal...
The photograph I start from is in fact the raw material that serves as a support to my creation.
From then on, by associating techniques such as image editing and digital painting, I remodel it, to slide from the real to the unreal...Abstract over Figurative...
Abstraction, as well the frontier between abstract and figurative, are my favourite playgrounds.
Abstract Art is pure creativity, unconstrained by realism.
Composing with shapes, colors and rhythm speaks the universal language of emotional freedom and invites to personal interpretation.Landscape over Portrait...
I have always preferred to work on horizontal "canvas" as they fit with a certain photographic approach.
Likewise, I favour landscape and square format because they align with the panoramic nature of human vision.
Additionally, fewer choices are offered in these formats, given the current predominance of vertical posters and artworks.